|本期目录/Table of Contents|

[1]乔基庆.海德格尔的物性观向媒介哲学的理论生成[J].长安大学学报(社科版),2017,19(01):99-105.
 Qiao Ji-qing.Theoretical formation of Heidegger’s physical view to media philosophy[J].Journal of Chang'an University(Social Science Edition),2017,19(01):99-105.
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海德格尔的物性观向媒介哲学的理论生成(PDF)
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《长安大学学报(社科版)》[ISSN:1671-6248/CN:61-1391/C]

卷:
第19卷
期数:
2017年01期
页码:
99-105
栏目:
文学艺术
出版日期:
2017-01-15

文章信息/Info

Title:
Theoretical formation of Heidegger’s physical view to media philosophy
文章编号:
1671-6248(2017)01-0099-07
作者:
乔基庆
长安大学文学艺术与传播学院,陕西西安710064
Author(s):
Qiao Ji-qing
School of Literary Arts and Communication, Chang’an University, Xi’an 710064, Shaanxi, China
关键词:
物性论物之物性间性存在论媒介哲学上手之物
Keywords:
on the nature of things the material nature of things interness ontology media philosophy the object of zuhanden
分类号:
B516.54
DOI:
-
文献标志码:
A
摘要:
为研究媒介如何进入哲学的视野,从传统哲学理论出发,为媒介哲学确定一个理论的根基,通过海德格尔关于“间性”的探讨,从“间性”的视角分析具有媒介特性的物的位置,以确定媒介在存在论中的位置。研究认为,海德格尔的存在论哲学,主要探讨此在的在世与本己可能性的追寻的问题,这个过程中就必然会遇到作为“间性”的物的存在,物之物性的思想有三种指向:第一个层面基于此在的存在论环节,物作为一种此在的上手之物,起着指引与标志的作用,因而以其“因缘”结构,而相互指引出此在与物,进而世界的意义整体;第二个层面基于此在的在世结构,“常人”状态以物的异化形式,构成了此在的日常存在状态,以“器”的形式构建此在“器”式的存在,使此在处于闲言、好奇、两可的沉沦之中;第三个层面基于物的本源,物作为天地人神的聚集,需要通过艺术作品才能实现,即把物的制造作为一种作品而敞开其物性,诗作为本质的艺术,在诗意的栖居中使物作为物而自行显现出来;这三个层面的维度指向构成了媒介哲学的三重维度,这一物性论对于在存在论视域下的媒介分析,起到了奠基的作用。
Abstract:
In order to study how the media enter the field of philosophy, this paper adopted traditional philosophy theory as a theoretical foundation for media philosophy. Through the discussion of Heidegger’s interness, the paper analyzed the position of the object with the characteristics of media from the perspective of interness, and determined the position of media in ontology. The research results show that Heidegger’s ontology mainly explores the existence nature of things and the possibility of pursuing the authentic self, and during this process the existence of things as interness is inevitably present. There are three aspects for the idea of the material nature of things. The first aspect is based on the ontology of existence of things. Object, as a kind of object of zuhanden for existence of things, plays a guiding and symbolic role. For its "interrelation" structure, it points out the interrelation between existence of things and object, and even the meaning of the whole world. The second aspect is based on its own existence structure. The state of “ordinary people” in the form of alienation constitutes the daily existence state of things, and in the form of “utensil” it constructs the existence of utensil’s state, which makes the existence of things in the state of gossip, curiousness and ambiguous degradation. The third aspect is based on the origin of the object. Objects, as the aggregation of heaven, earth, man and God needs to be achieved by art works. It means that the creation of objects is regarded as a kind of work to show its material nature. For example, poetry, as an essential art, makes object present itself as object in poetic dwelling. These three aspects constitute the three dimensions of media philosophy. These views on the nature of things play an important role in the media analysis from the perspective of ontology.

参考文献/References:

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备注/Memo

备注/Memo:
中央高校基本科研业务费专项资金资助项目(0009-2014G6334030)
更新日期/Last Update: 2017-03-07