[1]张炜.罗马式和哥特式建筑的艺术形象[J].长安大学学报(社科版),2002,4(02):67-69,72.
　ZHANG Wei.Art Image of Roman and Gothic Architecture[J].Journal of Chang＇an University(Social Science Edition),2002,4(02):67-69,72.
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罗马式和哥特式建筑的艺术形象 (PDF)

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《长安大学学报（社科版）》[ISSN:1671-6248/CN:61-1391/C]

Author(s):: ZHANG Wei; Department of Architecture, Chang′an University, Xi′an 710061, China)

摘要:: 罗马式建筑庄严隆重和雄壮。这种印象的形成,既同内部空间的体积和比例有关,又同它的石造外壳的结构设计、艺术装饰有关。建筑内部以一种异乎寻常的面貌,强调了顶部和顶部光线的象征意义和艺术意义,并间接暗示着天空的存在,而天空在中世纪欧洲的宗教世界观中是起着重要作用的。哥特式建筑赋予了一切以神秘象征的意义,使一切建筑形体本身都充满了相应的艺术表现,它把支撑拱(支撑拱把建筑拱顶的推力传导到附加于外墙的大石柱——扶壁上去)也变成了一些前所未见的艺术造型支架。

Abstract:: Roman architecture features its solemnity and grandeur. The formation curse of this impression is relevant not only to the capacity and proportion of the inner space,but also to the structure and decoration of the stone shell. The emblematic and art meanings of the coping and the ceiling light are emphasized through an unusual sight inside the building,which implies the existence of the heavens that holds an important position in the religious world view of the middle-age Europe.Gothic architecture is endowed with mysterious emblematic meaning,which brings corresbonding art performance to all architecture bodies. Gothic architecture also makes the supporting archs(supporting archs convey the thrust of the vault to the stone pillars attached to the outer wall—— buttress) art-shaped trestle that is unprecedented.

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备注/Memo:: 收稿日期: 2002-01-16
作者简介:张　炜(1960-),男,陕西西安人,长安大学建筑系副教授,从事建筑环境艺术教学和研究工作。

更新日期/Last Update: 2002-06-20