|本期目录/Table of Contents|

[1]魏红珊,卢衍鹏.文艺学的学科身份重建[J].长安大学学报(社科版),2007,9(03):78-82,94.
 WEI Hong-shan,LU Yan-peng.Reconstruction for cultural identity of literature and art[J].Journal of Chang'an University(Social Science Edition),2007,9(03):78-82,94.
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《长安大学学报(社科版)》[ISSN:1671-6248/CN:61-1391/C]

卷:
第9卷
期数:
2007年03期
页码:
78-82,94
栏目:
文学研究
出版日期:
2007-09-20

文章信息/Info

Title:
Reconstruction for cultural identity of literature and art
作者:
魏红珊1卢衍鹏2
1.四川省社会科学院文学研究所,四川成都 610071; 2.枣庄学院中文系,山东枣庄 277160
Author(s):
WEI Hong-shan1 LU Yan-peng2
1. Institute of Chinese Literature, Sichuan Academy of Social Sciences, Chengdu 610071, Sichuan, China; 2. Department of Chinese Language and Literature, Zaozhuang University, Zaozhuang 277160, Shandong, China
关键词:
文学文艺学学科反思文化身份本质主义反本质主义
Keywords:
literature literature and art reconsidering of discipline cultural identity essential principle counter-essential principle
分类号:
I01
DOI:
-
文献标志码:
A
摘要:
文化研究语境下的文艺学身份重建,存在本质主义与反本质主义两种思维方式。本质主义 坚持文艺学中的元理论、科学性、经典化;反本质主义重新定义文学性、文学自主性,并在日常生活 审美化的语境下反思文艺学的学科性。在重建文艺学的思路上,一派主张在文艺学内部进行调整, 拉近与现实的关系;另一派主张从文艺学外部重建历史化、地方化的文艺学。前者的优势在于拥有 体制性的确认和多年的学科底蕴,劣势在于守成有余而创新不足,对日新月异的文学、文化现象反 应迟钝,与社会现实、大众实际的文化活动、文艺实践等之间存在明显的脱节;后者的
Abstract:
The cultural identity of literature and art is being reconstructed under linguistic environment of cultural studies.Reconsideration of discipline on literature and art has already become a prolonged academic hot spot. There are two thinking modes:essential principle and the counter-essential one. The essential principle insists on a intrinsic theory, the scientific nature and the classics, while the counter-essential principle redefines the literature and the literature independency. Moreover, the literature and art discipline is reconsidered under esthetic linguistic environment in the daily life. In the reconstruction of literature and art, some advocate adjustment of the interior of literature and art to make it closer with the reality relations, and some insist on reconstructing history and localization of literature and art from exterior. The advantage of the former is that it has the confirmation of system and years discipline. The inferior position is slow in reacting,and is disjointed with society reality. Literature and art practice obviously run adrift of actual culture of masses. The latter advantage lies in keeping abreast of society and the times. The version has ultra-strong sensitiveness to western new culture, and is expert in the analysis in carrying out the version. The inferior position is that it lies on western theory, but its theoretical innovation is excessively insufficient. So it is not able to reinstate new structure of literature and its cultural identity.

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备注/Memo

备注/Memo:
收稿日期:2006-12-26
基金项目:国家社会科学规划西部项目(06XZW006)
作者简介:魏红珊(1966-),女,四川成都人,副研究员,文学博士。
更新日期/Last Update: 2007-09-20