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《长安大学学报（社科版）》[ISSN:1671-6248/CN:61-1391/C]

卷:

期数:

2025年04期

页码:

89-96

栏目:

艺术学·传承中华优秀传统文化研究

出版日期:

2025-08-30

文章信息/Info

Title:

Preliminary discussion on the box office, narrative, cultural reconstruction of NE Zha 2

文章编号:

1671-6248(2025)04-0089-08

作者:

陈可红

(浙江传媒学院 动画与数字艺术学院,浙江 杭州 310018)

Author(s):

CHEN Kehong

(School of Animation and Digital Arts, Communication University of Zhejiang, Hangzhou 310018, Zhejiang, China)

关键词:

《哪吒之魔童闹海》;  中华优秀传统文化;  叙事瑕疵;  “资本作者”;  文化重构

Keywords:

NE Zha 2;  fine traditional Chinese culture;  narrative flaw;  “capital author”;  cultural reconstruction

分类号:

J954

DOI:

-

文献标志码:

A

摘要:

为研究《哪吒之魔童闹海》电影叙事中存在的瑕疵和不足,从叙事瑕疵、“燃”向逻辑与文化重构3个方面对影片进行了冷思考。研究认为,《哪吒之魔童闹海》的剧情和人物违背了“契诃夫之枪”的叙事原则,是“资本作者”取代传统作者的必然结果,双面哪吒的新造本质上也是商业体系对传统神祇和人物的数字化收编; 影片融入了大量的中华优秀传统文化元素,却流于视觉与形式,双面哪吒的塑造虽然让经典人物在解构与重构中获得新颖性,但青年哪吒只是纯粹的机甲变形,并没有参与具体的叙事建构,反抗主题固然能够引发共情,但过于宏大多元,反而让整个影片剧情过于密集,支线芜杂失衡,转折支撑吃力。研究表明,中国传统IP在动画电影的文化重构是一个多维度的过程,需要从器物、人物和价值观同步推进,中华优秀传统文化才能完成当代重构和深度传承,进而有效推动中国动画电影高质量发展。

Abstract:

To examine the flaws and limitations in the narrative of the animated film NE Zha 2, this paper conducts a sober reflection on the film focusing on three aspects: narrative flaws, the logic of “passion-driven” storytelling, and cultural reconstruction. It argues that the plot and characters in the film violate the “CHEKHOV's gun” principle of narrative economy, a reflection of the rise of the “capital author” replacing the traditional authorial figure. The creation of a dual-faced NE Zha essentially represents the commercial system's digital appropriation of traditional deities and characters. Although the film incorporates many elements of fine traditional Chinese culture, these are often reduced to mere visual and formal representation. The dual characterization of NE Zha brings novelty through deconstruction and reconstruction of a classic figure; however, the youthful NE Zha, designed as a mech-style transformation, lacks actual involvement in the narrative development. While the theme of rebellion can evoke emotional resonance, its overly grand and pluralistic nature results in an overcrowded plot, disordered subplots, and weak narrative transitions. The study suggests that cultural reconstruction of traditional Chinese intellectual properties in animated films is inherently multidimensional. Only by advancing material representation, character development, and value systems in parallel can fine traditional Chinese culture be meaningfully reconstructed and deeply transmitted in the contemporary era—ultimately driving the high-quality development of China's animated films.

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备注/Memo

备注/Memo:

收稿日期:2025-03-10
基金项目:教育部人文社会科学研究规划基金项目(24YJA760006)
作者简介:陈可红(1977-),女,浙江乐清人,教授,文学博士。

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更新日期/Last Update: 2025-08-30