|本期目录/Table of Contents|

[1]韩小龙.李泽厚美学原点探究[J].长安大学学报(社科版),2013,15(02):77-85.
　HAN Xiao-long.Establishment of LI Ze-hou's aesthetics system[J].Journal of Chang＇an University(Social Science Edition),2013,15(02):77-85.
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《长安大学学报（社科版）》[ISSN:1671-6248/CN:61-1391/C]

卷:
第15卷
期数:
2013年02期
页码:
77-85
栏目:
哲学
出版日期:
2013-06-20

文章信息/Info

Title:
Establishment of LI Ze-hou's aesthetics system
作者:
韩小龙
中国传媒大学 艺术研究院,北京 100024
Author(s):
HAN Xiao-long
Institute of Art, Communication University of China, Beijing 100024, China
关键词:
李泽厚;  美学;  历史唯物学;  马克思主义美学
Keywords:
LI Ze-hou;  aesthetics;  historical materialism theory;  Maxist aesthetics
分类号:
B83
DOI:
-
文献标志码:
A
摘要:
李泽厚美学包括认识论美学、主体性哲学美学和“情本体”美学3个部分。其思想来源复杂,早、中、后三期美学价值取向分岐较大,其中理论观点互相掺和甚至前后矛盾,难以自圆其说。李泽厚的美学思想往往融合在哲学和中国思想史研究之中。具体地说,李泽厚以马克思主义为支撑,以中国传统文化为家园,以康德和黑格尔为营养,构筑了他独具特色的美学理论形态。分析认为,尽管李泽厚美学思想比较庞杂,但是其主线仍是比较清晰的,即以主体性实践哲学为骨架和灵魂,通过“自然的人化”、“人的自然化”、“美是自由的形式”、“积淀说”等命题或范畴的论述来建立起自己的实践美学体系。
Abstract:
The aesthetics system of LI Ze-hou is composed of three parts: epistemological aesthetics, subjectivity philosophy aesthetics and sentiment aesthetics. Its ideological source is complex, aesthetic value orientation varies from early period to mid-term and to late term. Even ideological contradictions have penetrated into the overall aesthetic theory of LI Ze-hou, so it is very difficult to make out a good case. LI Ze-hou aesthetic ideas are often integrated into the philosophy and Chinese intellectual history studies. In order to build his own aesthetic system, he puts a lot of thoughts into his aesthetic system, hence his aesthetic thoughts appear to be quite heterogeneous. Specifically, LI Ze-hou regards Marxism as a support to his aesthetic theory, taking the Chinese cultural tradition as a home, and taking Kant and Hegel as his nutrition, to build his unique aesthetic theory. The conclusion is that although LI Ze-hou's aesthetic system is heterogeneous, the principal line is clear. Subjective practice philosophy is the framework and soul. The aesthetic system is constructed within certain propositions and domains.

参考文献/References:

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相似文献/References:

[1]韩小龙.李泽厚美学的“嫁接”理论[J].长安大学学报(社科版),2010,12(02):73.
　HAN Xiao-long.Grafting theory for LI Ze-hou aesthetics[J].Journal of Chang＇an University(Social Science Edition),2010,12(02):73.
[2]原 雪.尼采哲学中酒神精神的美学阐释[J].长安大学学报(社科版),2009,11(01):107.
　YUAN Xue.Aesthetic review on Nietzsche's dionysian spirit[J].Journal of Chang＇an University(Social Science Edition),2009,11(02):107.
[3]韩小龙.李泽厚美学思想的内在张力[J].长安大学学报(社科版),2009,11(02):82.
　HAN Xiao-long.Internal tension structure of LI Ze-hou's aesthetics[J].Journal of Chang＇an University(Social Science Edition),2009,11(02):82.
[4]韩小龙.李泽厚美学理论研究五十年[J].长安大学学报(社科版),2009,11(04):91.
　HAN Xiao-long.LI Ze-hou's aesthetic thought for fifty years[J].Journal of Chang＇an University(Social Science Edition),2009,11(02):91.

备注/Memo

备注/Memo:
收稿日期:2013-03-01 作者简介:韩小龙(1969-),男,安徽怀宁人,文学博士,博士后。
更新日期/Last Update: 2013-06-20