|本期目录/Table of Contents|

[1]韩小龙.李泽厚美学思想的内在张力[J].长安大学学报(社科版),2009,11(02):82-90.
　HAN Xiao-long.Internal tension structure of LI Ze-hou's aesthetics[J].Journal of Chang＇an University(Social Science Edition),2009,11(02):82-90.
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《长安大学学报（社科版）》[ISSN:1671-6248/CN:61-1391/C]

卷:
第11卷
期数:
2009年02期
页码:
82-90
栏目:
哲学
出版日期:
2009-06-20

文章信息/Info

Title:
Internal tension structure of LI Ze-hou's aesthetics
作者:
韩小龙
北京语言大学 人文学院,北京 100083
Author(s):
HAN Xiao-long
Institute of Humanities and Social Sciences, Beijing Language and Culture University, Beijing 100083, China
关键词:
李泽厚;  工具本体;  主体性;  情本体;  张力;  思想轨迹
Keywords:
LI Ze-hou;  tool ontology;  man-oriented;  patho-ontology;  tension;  thought track
分类号:
B83-02
DOI:
-
文献标志码:
A
摘要:
为探索当代美学家李泽厚一生的美学思想的发展轨迹,对李泽厚不同时期的美学著作做一番鸟瞰式的考察,分析其美学观中感性与理性、偶然与必然、个体与群体这些美学概念之间存在的不可调和的张力结构。分析认为,20世纪五六十年代的李泽厚因其“美是客观性与社会性的统一”美学观被称为“客观社会派”的代表人物; 20世纪七八十年代的他在马克思主义实践观的基础上提出了“制造—使用工具”的“工具本体论”思想; 20世纪90年代的李泽厚更加重视人的“主体性”,提出了“情本体”的美学观。分析结果表明,李泽厚前、中、后三期的美学观有其内在的逻辑规律:从机械主义走向神秘主义,从群体抽象的人到个体具体的人,从深层历史学到深层心理学,后期的李泽厚力图摆脱早、中期对理性的过分的崇拜、对必然性的依赖,转向倡导个体的感性自由、张扬人的个性色彩。
Abstract:
LI Ze-hou's works are discussed in this paper in order to find the course of all his life, and make a discovery of the internal tension structure between perceptual and reason, between contingence and inexorable law, between individual and collective. In the 1950's and the 1960's, LI Ze-hou was acknowledged as the representative of “objective socialist” for his aesthetic idea of “the integration of objectivity and sociality”. Then he advanced a theory of “ tool ontology” of “manufacture –utilization tool” in the 1970's and the 1980's. In his later stage, LI Ze-hou attached more importance to “man-oriented” direction, and furthered his aesthetic view of “patho-ontology”. LI Ze-hou's life-long philosophical aesthetics has developed under an internal logic rule, exclusively presented an internal tension, and betrayed a limitation of his aesthetics on the interpretation of the classic aesthetic texts. However, LI Ze-hou's aesthetic, from mechanism to mysticism, from people abstracted to concrete individual and from deep-layered history to deep-layered psychology, is somewhat not so argumentative with its logic confusion, thus difficult for self-justification.

参考文献/References:

[1] 李泽厚.批判哲学的批判:康德述评[M].北京:三联书店,2007.
[2]李泽厚.美学论集[M].上海:上海文艺出版社,1980.
[3]韩德民.李泽厚与20世纪后半期中国美学[J].安徽师范大学学报:人文社会科学版,2000,28(1):10-17.
[4]朱光潜.美学怎样才既是唯物的又是辩证的:评蔡仪同志的美学观点[N].人民日报,1956-12-25(2).
[5]车尔尼雪夫斯基.艺术与现实的审美关系[M].周 扬,译.北京:人民文学出版社,1979.
[6]亚里士多德.诗学[M].罗念生,译.北京:人民文学出版社,1962.
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[8]马克思,恩格斯.马克思恩格斯选集:第1卷[M].中共中央马克思恩格斯列宁斯大林著作编译局,译.北京:人民出版社,1972.
[9]李泽厚.美学三书[M].天津:天津社会科学出版社,2003.

相似文献/References:

[1]韩小龙.李泽厚美学原点探究[J].长安大学学报(社科版),2013,15(02):77.
　HAN Xiao-long.Establishment of LI Ze-hou's aesthetics system[J].Journal of Chang＇an University(Social Science Edition),2013,15(02):77.
[2]韩小龙.李泽厚美学的“嫁接”理论[J].长安大学学报(社科版),2010,12(02):73.
　HAN Xiao-long.Grafting theory for LI Ze-hou aesthetics[J].Journal of Chang＇an University(Social Science Edition),2010,12(02):73.
[3]韩小龙.李泽厚美学理论研究五十年[J].长安大学学报(社科版),2009,11(04):91.
　HAN Xiao-long.LI Ze-hou's aesthetic thought for fifty years[J].Journal of Chang＇an University(Social Science Edition),2009,11(02):91.

备注/Memo

备注/Memo:
收稿日期:2009-03-20 作者简介:韩小龙(1969-),男,安徽怀宁人,文学博士研究生。
更新日期/Last Update: 2009-06-20