|本期目录/Table of Contents|

[1]陈旭光.电影工业美学:当代中国特色电影理论体系建构的思考与实践[J].长安大学学报(社科版),2023,25(03):65-75.
　CHEN Xuguang.Film industry aesthetics: reflection and practice on the construction of the film theory system with contemporary Chinese characteristics[J].Journal of Chang＇an University(Social Science Edition),2023,25(03):65-75.
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《长安大学学报（社科版）》[ISSN:1671-6248/CN:61-1391/C]

卷:
第25卷
期数:
2023年03期
页码:
65-75
栏目:
新闻传播学
出版日期:
2023-09-01

文章信息/Info

Title:
Film industry aesthetics: reflection and practice on the construction of the film theory system with contemporary Chinese characteristics
文章编号:
1671-6248(2023)03-0065-11
作者:
陈旭光
(北京大学 艺术学院,北京 100091)
Author(s):
CHEN Xuguang
(School of Arts, Peking University, Beijing 100091, China)
关键词:
电影工业美学;  艺术学;  电影学;  电影美学;  学科体系;  文化自信
Keywords:
film industry aesthetics;  art;  cinematology;  film aesthetics;  discipline system;  cultural self-confidence
分类号:
J901
DOI:
-
文献标志码:
A
摘要:
为了进一步研讨当代中国特色电影理论的学术体系、话语体系和学科体系建构,在梳理美学、艺术学、电影艺术学、电影学与电影美学等学科的复杂学术关系的基础上,分析电影工业美学相关研究的体系构架,省思电影工业美学的学科建设意识,探讨电影工业美学理论体系建构的学理依据和布局特点。研究认为,电影工业美学是在国际电影学术理论学术背景、改革开放以来中国电影产业发展的探索实践中,在当代中国现实和电影产业土壤中生长的“中国式”电影理论体系,是对新型电影观念和生产原则的总结和提升; 电影工业美学的学术建构,要坚持立足中国本土,直面电影生产创作、体制运作、格局生态、工业化程度等境况与问题,既有哲学、艺术学、美学、电影学等学科、学术、学理的依托,也基于电影发展的现实问题及电影人创作、生产和工业、产业状况,在理论/实践、继承/创新、传统/当下、外来/本土、工业/美学、艺术/商业等“二元张力”间丰富、重构着中国电影理论; 在当下新文科建设和中国式现代化的时代语境中,电影工业美学的思考、探索和争鸣贯注了学者们关于电影学、电影美学的学科建设自觉意识,具有相当的学术前沿性和学科建构意义,是中国电影学派的有机组成。
Abstract:
In order to further explore the construction of the academic system, discourse system and discipline system of the film theory system with contemporary Chinese characteristics, on the basis of summarizing the complex academic relations of aesthetics, art, film art, film science and film aesthetics, this paper analyzes the system framework of film industry aesthetics, reflects on the discipline construction thoughts of film industry aesthetics, and discusses the theoretical basis and structural layout characteristics of the theoretical system structure of film industry aesthetics. According to the research, the film industry aesthetics is a “Chinese-style” film theory system rooted in the contemporary Chinese reality and the soil of the film industry in the academic background of international film academic theory, the exploration and practice of the development of China's film industry since the reform and opening up, and the summary and promotion of new film concepts and production principles. The academic construction of the film industry aesthetics adheres to the Chinese tradition and faces the challenges and problems of film production and creation, system operation, pattern ecology, and degree of industrialization. It not only relies on philosophy, art, aesthetics, film science and other disciplines, academics, and theories, but also builds on the realistic problems of film development and the creation, production, and industrial conditions of filmmakers. It enriches and reconstructs Chinese film theory in the “dual tension” of theory/practice, inheritance/innovation, tradition/present, foreign/local, industry/aesthetics, and art/commerce. In the context of the current era of new liberal arts construction and Chinese modernization, the thoughts, exploration and contention in film industry aesthetics have focused on the self-consciousness of scholars on the discipline construction of film science and film aesthetics. It has considerable significance in academic frontier and discipline construction, and is an organic component of the Chinese film school.

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相似文献/References:

[1]周星,李国聪.新文科建设问题的新思考 ——兼论艺术学科的新文科建设[J].长安大学学报(社科版),2022,24(01):63.
　ZHOU Xing,LI Guocong.New thoughts on the construction of new liberal arts ——also on the new liberal arts construction in art discipline[J].Journal of Chang＇an University(Social Science Edition),2022,24(03):63.

备注/Memo

备注/Memo:
收稿日期:2023-02-21
作者简介:陈旭光(1965-),男,浙江东阳人,教授,博士研究生导师,文学博士。
更新日期/Last Update: 2023-09-01