|本期目录/Table of Contents|

[1]王庆卫.从“气韵”看中国古典美学的诗性思维特点[J].长安大学学报(社科版),2004,6(02):68-72.
 WANG Qing-wei.Study at the charactersitics of poetic thinking in Chinese ancient oriental aesthetic from“Qiyun”[J].Journal of Chang'an University(Social Science Edition),2004,6(02):68-72.
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从“气韵”看中国古典美学的诗性思维特点 (PDF)
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《长安大学学报(社科版)》[ISSN:1671-6248/CN:61-1391/C]

卷:
第6卷
期数:
2004年02期
页码:
68-72
栏目:
文学艺术
出版日期:
2004-06-20

文章信息/Info

Title:
Study at the charactersitics of poetic thinking in Chinese ancient oriental aesthetic from“Qiyun”
作者:
王庆卫
南京大学中文系,江苏南京210093
Author(s):
WANG Qing-wei
Department of Chinese, Nanjing University, Nanjing 210093, China
关键词:
气韵诗性思维东方美学演变
Keywords:
Qiyun poetic thinking oriental aesthetic evolution
分类号:
I207.2
DOI:
-
文献标志码:
A
摘要:
“气韵”范畴是中国美学中最有代表性的范畴之一,它的哲学基础是中国古代哲学的气本体 论,以气作为宇宙万物和生命的本原,是中国传统文化对宇宙、人生和艺术的基本观念。而这一形 上本体的呈现和传达,又是以“韵”的表现方式达到的。“韵”不是对事物外在形态的描摹,而是追求 表现超出形象之外的事物的精神状态或内在特质,它既源自对象自身的丰富性,又依赖于主体的心 灵境界,并依靠两者的充分交融而得以生成。气韵范畴显现出中国审美文化的诗性思维特征。在 中国文化史上,气、韵各自内涵的丰富性又为其在美学史上的意义演变提供了多种可能性。
Abstract:
“Qiyun” category is one of the most representative categories in Chinese aesthetics. It has become the core of the drawing theory.The philosophical base of“Qiyun” is the“Qi” theory in the ancient Chinese philosophy,which looks on“Qi” as the origin of the things and life of the universe, and the basic idea of universe,lifelong and art in the traditional Chinese culture. The presentation and expression of“Qi” are attained by the way of“Yun”.As the unique verbal method, the characteristic of“Yun” lies in that it is not the description of the outside form. It persues the inner nature or spiritual state expressing the things beyond the image. It originates from its richness,depends on the soul state of the subject, appears from the combination of the two. The category of“Qiyun” reflects the characteristic of poetic thinking of the aesthetic culture of ancientChina. In the history of Chinese culture, the richness of the connotation of“Qi” and“Yun” provides various possibilities in the evolution of the art history.

参考文献/References:

[1] 朱光潜.西方美学(下卷)[M].北京:人民文学出版社, 1979.
[2] 徐复观.中国艺术精神(上卷)[M].北京:春风文艺出 版社,1997.
[3] 朱立元.天人合一[M].上海:上海文艺出版社,1998.
[4] 维 柯,朱光潜译.新科学[M].北京:人民文学出版 社,1986.
[5] 刘传新.韵:中国美学和文艺学中的一个基本范畴[J]. 山东社会科学,1988,(5).
[6] 爱克曼辑录,朱光潜译.歌德谈话录[Z].北京:人民文 学出版社,1978.
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备注/Memo

备注/Memo:
收稿日期:2004-03-04
作者简介:王庆卫(1970-),男,山东济南人,南京大学中文系博士生,主要从事文艺美学和西方文论研究。
更新日期/Last Update: 2004-06-20