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《长安大学学报（社科版）》[ISSN:1671-6248/CN:61-1391/C]

卷:

期数:

2025年05期

页码:

113-121

栏目:

艺术学·传承中华优秀传统文化研究

出版日期:

2025-10-25

文章信息/Info

Title:

Study on body narrative in Ne Zha 2

文章编号:

1671-6248(2025)05-0113-09

作者:

牛鸿英; 杨梓涵

(陕西师范大学 新闻与传播学院,陕西 西安 710119)

Author(s):

NIU Hongying;  YANG Zihan

(School of Journalism and Communication, Shaanxi Normal University, Xi'an 710119, Shaanxi, China)

关键词:

《哪吒之魔童闹海》;  身体叙事;  身份越界;  中国神话

Keywords:

Ne Zha 2;  body narrative;  identity transgression;  Chinese mythology

分类号:

J954

DOI:

-

文献标志码:

A

摘要:

在数字技术与文化消费深度融合的背景下,影片《哪吒之魔童闹海》通过解构传统神话的身体呈现,将身体塑造为文化表达与自我探索的核心场域。通过文本分析、符号学解读和文化研究视角,从身体景观、身份重构和文化拓扑3个方面进行深入剖析,解读身体在亚文化语境下如何通过异质化视觉重塑、物质躯壳的精神转译及疼痛经验的仪式化展演,构建青年文化审美的肉身表达; 探讨角色如何突破固有符号标签,在代际冲突与和解中进行主体性建构与自我形塑; 揭示动画媒介如何通过身体的赋权策略、生存境遇的符号化投射以及传统神话的时代性重构,使身体成为承载文化创新、技术转化与价值传递的复合性载体。研究认为,《哪吒之魔童闹海》的身体叙事建构起文化符号系统转型的隐喻空间,其中突破传统框架的行为成为个体自我探索的重要途径。研究表明,影片中的青年身体在数字时代展现出强大的生命力与影响力,其意义已超越单纯的生物性存在或文化现象,成为一种连接传统与现代、承载技术变革与社会价值的社会实践。

Abstract:

Against the backdrop of the in-depth integration of digital technology and cultural consumption, the film Ne Zha 2 deconstructs the bodily representations of traditional mythology and reimagines the body as a core arena for cultural expression and self-exploration. Through textual analysis, semiotic interpretation, and a cultural studies perspective, this paper examines three dimensions—body as landscape, identity reconstruction, and cultural topology—to explore in depth how, within a subcultural context, the body is redefined through heterogeneous visual reshaping, the spiritual reinterpretation of the physical form, and the ritualized performance of pain. These processes construct a corporeal expression of youth cultural aesthetics. The study further explores how characters transcend fixed symbolic labels and engage in subjective construction and self-fashioning amid generational conflict and reconciliation. It also reveals how the animation medium empowers the body through symbolic projections of existential conditions and the youthful reconfiguration of traditional mythology, positioning the body as a multidimensional vehicle for cultural innovation, technological transformation, and value transmission. The findings suggest that the body narrative of Ne Zha 2 constructs a metaphorical space for the transformation of cultural symbol systems, with the characters' defiance of traditional frameworks serving as vital avenues for youth self-exploration. The study concludes that the youthful body in the digital age demonstrates powerful vitality and influence, evolving beyond biological existence or cultural phenomenon to become a form of social practice that bridges tradition and modernity, and embodies technological reform and social values.

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相似文献/References:

[1]陈可红.《哪吒之魔童闹海》的票房、叙事与文化重构刍议[J].长安大学学报(社科版),2025,(04):89.
　CHEN Kehong.Preliminary discussion on the box office, narrative, cultural reconstruction of NE Zha 2[J].Journal of Chang＇an University(Social Science Edition),2025,(05):89.
[2]张娟.《哪吒之魔童闹海》主题、视听革新的创新实践与全球传播启示[J].长安大学学报(社科版),2025,(04):97.
　ZHANG Juan.Innovative practices in theme and audiovisual reform of NE Zha 2 and its inspiration for global communication[J].Journal of Chang＇an University(Social Science Edition),2025,(05):97.
[3]钟华,黄粤豪.《哪吒之魔童闹海》东方神话IP基模的数字化重塑与赓续研究[J].长安大学学报(社科版),2025,(04):113.
　ZHONG Hua,HUANG Yuehao.Digital reshaping and continuation of the foundational schema of the eastern mythology intellectual property in NE Zha 2[J].Journal of Chang＇an University(Social Science Edition),2025,(05):113.
[4]裴亚莉,王晶.《哪吒之魔童闹海》与观众的发展性构成、互动[J].长安大学学报(社科版),2025,(05):122.
　PEI Yali,WANG Jing.Developmental composition and interaction of Ne Zha 2 and the Chinese film audiences[J].Journal of Chang＇an University(Social Science Edition),2025,(05):122.

备注/Memo

备注/Memo:

收稿日期:2025-03-15
基金项目:国家社会科学基金后期资助项目(24FYSB041)
作者简介:牛鸿英(1976-),女,河南沁阳人,教授,博士研究生导师,文学博士。

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更新日期/Last Update: 2025-10-25