[1]肖云儒.中国书法的文化意义[J].长安大学学报(社科版),2012,14(04):17-20.
XIAO Yun-ru.Cultural significance of Chinese calligraphy[J].Journal of Chang'an University(Social Science Edition),2012,14(04):17-20.
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《长安大学学报(社科版)》[ISSN:1671-6248/CN:61-1391/C]
- 卷:
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第14卷
- 期数:
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2012年04期
- 页码:
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17-20
- 栏目:
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长安学研究暨黄帝文化会议专题
- 出版日期:
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2012-12-20
文章信息/Info
- Title:
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Cultural significance of Chinese calligraphy
- 作者:
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肖云儒
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陕西省文学艺术界联合会,陕西 西安 710061
- Author(s):
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XIAO Yun-ru
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Shaanxi Federation of Literary and Art Circles, Xi'an 710061, Shaanxi, China
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- 关键词:
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中国书法; 形神说; 程式美学; 观象造物
- Keywords:
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Chinese calligraphy; form and spirit; programed aesthetics
- 分类号:
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G122
- DOI:
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-
- 文献标志码:
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A
- 摘要:
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在分析汉字书写特点的基础上,解读了汉字书写在形成中国文化思维和美学思维中的作用,进而审视了中国书法的内在文化意义。分析认为,中国文字和书法体系的孤独性、变异性以及原生的一系列传统,更加激发其与世界文化的交流与发展,构成其与现代文化接轨的内在通道。
- Abstract:
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Based on the analysis of Chinese calligraphy characteristics, the role of Chinese characters writing in the development of Chinese cultural and aesthetic thinking was explained and the inherent cultural significance of Chinese calligraphy was surveyed. Through analysis, it is believed that the uniqueness, evolution and protogenesis of Chinese characters and calligraphy can motivate its communication with other cultures in the world and its development, and function as internal channels for the connection with modern cultures.
参考文献/References:
[1] 吴 华.略论书象[C]//杜大恺.清华美术:第12卷.北京:清华大学出版社,2009:56-57.
[2]吴冠中.汉字春秋[C]//杜大恺.清华美术:第12卷.北京:清华大学出版社,2009:1.
相似文献/References:
备注/Memo
- 备注/Memo:
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收稿日期:2012-09-28
作者简介:肖云儒(1940-),男,四川广安人,研究员,国内著名学者。
更新日期/Last Update:
2012-12-20