|Table of Contents|

Study on the communication of music and dance between Tang dynasty and India(PDF)

《长安大学学报(社科版)》[ISSN:1671-6248/CN:61-1391/C]

Issue:
2013年02期
Page:
24-26,37
Research Field:
长安学研究暨黄帝文化会议专题
Publishing date:

Info

Title:
Study on the communication of music and dance between Tang dynasty and India
Author(s):
ZHAO Xi-hui
Department of Historical Culture and Tourism, Shaanxi Xue Qian Normal University, Xi'an 710100, Shaanxi, China
Keywords:
Tang dynasty India work of music and dance musical instrument
PACS:
K242
DOI:
-
Abstract:
The paper studies the communication of music and dance between Tang dynasty and India based on the related historical data. The communication was mainly on the musical works and instruments. In terms of musical works, “The Music of Qin-king Annihilating Enemy Battle Array ” and “Striking Ou” in Tang dynasty were introduced into India. “Colorful Plumage”, “Pusa Man”, “South Tianzhu”, “Mochizuki Brahman” and “Storax” were introduced to Tang dynasty, which had an great influence on Chinese music and dance. As for musical instruments, Indian phoenix head harp, five string pipa, cymbals, dala drum, dutan drum, and maoyuan drum were introduced to Tang dynasty.

References:

[1] 玄 奘.大唐西域记校注[M].季羡林,校注.北京:中华书局,1985.
[2]段安节.乐府杂录[M].上海:古典文学出版社,1957.
[3]魏 徵.隋书[M].北京:中华书局,1973.
[4]Levi S.Le“tokharien B”,langue de koutcha[J].Journal Asiatique,1913(5):311-380.
[5]崔令钦.教坊记[M].上海:古典文学出版社,1957.
[6]常任侠.丝绸之路与西域文化艺术[M].上海:上海文艺出版社,1981.
[7]王 灼.碧鸡漫志[M].上海:古典文学出版社,1957.
[8]李上交.近事会元[M].台北:台湾商务印书馆,1986.
[9]丰原统秋.体源抄[O].昭和53年刊.
[10]向 达.唐代长安与西域文明[M].北京:三联书店,1957.
[11]南 卓.羯鼓录[M].上海:古典文学出版社,1957.
[12]马端临.文献通考[M].北京:中华书局,1986.
[13]林谦三.东亚乐器考[M].钱稻孙,译.北京:人民音乐出版社,1962.
[14]杜 佑.通典[M].北京:中华书局,1988.
[15]欧阳修.新唐书[M].北京:中华书局,1975.
[16]周青葆.丝绸之路上的凤首箜篌:上[J].乐器,2010,29(4):61-63.
[17]刘 昫.旧唐书[M].北京:中华书局,1975.
[18]周青葆.琵琶溯源[J].音乐探索,1985,3(3):47-52.
[18]庄 壮.敦煌壁画上的打击乐器[J].交响:西安音乐学院学报,2002,21(4):15-22.

Memo

Memo:
-
Last Update: 2013-06-20