|Table of Contents|

Grafting theory for LI Ze-hou aesthetics(PDF)

《长安大学学报（社科版）》[ISSN:1671-6248/CN:61-1391/C]

Issue:
2010年02期
Page:
73-81
Research Field:
哲学
Publishing date:
2010-06-20

Info

Title:
Grafting theory for LI Ze-hou aesthetics
Author(s):
HAN Xiao-long
School of Humanities and Social Science, Beijing Language and Culture University, Beijing 100083, China
Keywords:
LI Ze-hou;  grafting;  ideology;  situation ontology
PACS:
B83-0
DOI:
-
Abstract:
In order to clarify numerous and multitude ideas of LI Ze-hou aesthetics, it is necessary to collect and organize the various schools' thoughts LI Ze-hou aesthetics have absorbed and adopted. The author conducts some sort of doctrine of scholarship for LI Ze-hou he has often used, namely grafting surgery. LI Ze-hou's aesthetic ideas are based on the theories of many western philosophers and sages of ancient China, and is also a successful graft with Marxist materialist conception of history, which is called creative transformation by LI Ze-hou. In the process of foreign aesthetics, LI Ze-hou has cleverly used misreading to meet the needs of constructing their own theories. Borrowing the terminology of the foreign aesthetic fashion, cloning its own aesthetic system and developing the Chinese aesthetic theory, are the characteristics of LI Ze-hou aesthetics. LI Ze-hou has finally formed the foundation of the materialist conception of history, a sense of the complexity of the aesthetic cultural ideology, which is based on western philosophy and aesthetics of Chinese local culture, including aesthetics of materialist conception of his-tory, and the accumulation, the psychological ontology, practical rationality, the ontology of anthropology history, and situation ontology of the music.

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Memo

Memo:
-
Last Update: 2010-06-20