Theory of WANG Wei “Painting in poetry” mode(PDF)
《长安大学学报（社科版）》[ISSN:1671-6248/CN:61-1391/C]
- Issue:
- 2016年04期
- Page:
- 10-17
- Research Field:
- 长安学
- Publishing date:
Info
- Title:
- Theory of WANG Wei “Painting in poetry” mode
- Author(s):
- WEI Geng-yuan
- School of Humanities, Xi’an Peihua Univeisity, Xian 710125, Shaanxi, China; School of Chinese Language and Literature, Shaanxi Normal University, Xi’an 710062, Shaanxi, China)
- Keywords:
- WANG Wei; two dimensional spatial superimposition; “shen yuan” and “wai”; movementstillness and color; landscape painting; landscape poetry
- PACS:
- I207.22
- DOI:
- -
- Abstract:
- Regarding Wang Weis interaction mode between poetry and painting formed in “painting in poetry”, it is found that his landscape poetry has inherited the traditional side of Southern dynasties and prosperous Tang dynasty and embodies the innovation after the interaction between poetry and painting. It is suggested that the formation of “two dimensional space superimposition” in Wang Weis landscape poetry is with the aid of spatial expression form of landscape painting; In addition to “ping yuan” in landscape painting, “shen yuan” and “wai” indicating space can be also found in his poetry, forming simple and precise model; The movement and stillness, color and personification in poetry and painting embody the characteristic of personified mode, which is very classic.
Last Update: 2017-01-03