|Table of Contents|

Internal tension structure of LI Ze-hou's aesthetics(PDF)

《长安大学学报（社科版）》[ISSN:1671-6248/CN:61-1391/C]

Issue:
2009年02期
Page:
82-90
Research Field:
哲学
Publishing date:
2009-06-20

Info

Title:
Internal tension structure of LI Ze-hou's aesthetics
Author(s):
HAN Xiao-long
Institute of Humanities and Social Sciences, Beijing Language and Culture University, Beijing 100083, China
Keywords:
LI Ze-hou;  tool ontology;  man-oriented;  patho-ontology;  tension;  thought track
PACS:
B83-02
DOI:
-
Abstract:
LI Ze-hou's works are discussed in this paper in order to find the course of all his life, and make a discovery of the internal tension structure between perceptual and reason, between contingence and inexorable law, between individual and collective. In the 1950's and the 1960's, LI Ze-hou was acknowledged as the representative of “objective socialist” for his aesthetic idea of “the integration of objectivity and sociality”. Then he advanced a theory of “ tool ontology” of “manufacture –utilization tool” in the 1970's and the 1980's. In his later stage, LI Ze-hou attached more importance to “man-oriented” direction, and furthered his aesthetic view of “patho-ontology”. LI Ze-hou's life-long philosophical aesthetics has developed under an internal logic rule, exclusively presented an internal tension, and betrayed a limitation of his aesthetics on the interpretation of the classic aesthetic texts. However, LI Ze-hou's aesthetic, from mechanism to mysticism, from people abstracted to concrete individual and from deep-layered history to deep-layered psychology, is somewhat not so argumentative with its logic confusion, thus difficult for self-justification.

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Memo

Memo:
-
Last Update: 2009-06-20